the ashes :: carolyn kizer

For William Gass

This elderly poet, unpublished for five decades,
Said that one day in her village a young girl
Came screaming down the road,
“The red Guards are coming! The Red Guards
Are Coming!” At once the poet
Ran into her house and stuffed the manuscript
Of her poems into the stove. The only copy.
When the guards arrived they took her into the yard
For interrogation. As they spoke
The poet’s mother tried to hang herself in the kitchen.
That’s all I know about the Red Guard.
It is enough.

The elderly poet is bitter—and why not?
She earned her PH.D. at an Ivy League school
And returned to China in 1948. Bad timing.
She is bitter with me
Because I’ve chosen to transtrate a younger poet,
Young enough to be her child or mine.
The truth is, her poems are forced,
But not flowering. The good work died in the stove.
She knows this. She wants me to recompose them
From the ashes. She wants the noose
Around her mother’s neck untied by me.
She wants—oh, she wants!—to have her whole life over:

Not to leave America in 1948;
To know me when we are both young promising poets.
Her rusty English is now flawless,
My Mandarin, so long unused, is fluent.
No dictionaries needed. A perfect confidence
Flowing between us. And the Red Guard,
Except as the red sword-lilies
That invigilate the garden,
Unimagined by us both:
I, who believe the Reds are agrarian reformers,
She, who believes she will be an honored poet,
Her name known to everyone, safe in her fame.

epitaph :: katherine philips

On her Son H.P. at St. Syth’s Church where her body also lies interred

What on Earth deserves our trust?
Youth and Beauty both are dust.
Long we gathering are with pain,
What one moment calls again.
Seven years childless marriage past,
A Son, a son is born at last:
So exactly lim’d and fair,
Full of good Spirits, Meen, and Air,
As a long life promised,
Yet, in less than six weeks dead.
Too promising, too great a mind
In so small room to be confined:
Therefore, as fit in Heaven to dwell,
He quickly broke the Prison shell.
So the subtle Alchemist,
Can’t with Hermes Seal resist
The powerful spirit’s subtler flight,
But t’will bid him long good night.
And so the Sun if it arise
Half so glorious as his Eyes,
Like this Infant, takes a shrowd,
Buried in a morning Cloud.

summer nights and days :: rachel hadas

So far the nights feel lonelier than the days.
In light, the living keep me company,
and memories of voices through the years.

Each summer threads a green familiar maze.
Emerging sun-struck, you can barely spy
the slow kaleidoscope of clouds and hours.

Those flannel nightshirts chilly sleepers wear
as summer wanes: I’m giving them away.
Pass it on: you keep at the same time.

A bough has broken from the Duchess tree.
Rain swelled the apples. Too much lightness weighs
heavy: the heft of the idea of home
tempered with the detachment of a dream,
or tidal pulls, like ocean, like moonrise.

in a country :: larry levis

My love and I are inventing a country, which we
can already see taking shape, as if wheels were
passing through yellow mud. But there is a prob-
lem: if we put a river in the country, it will thaw
and begin flooding. If we put the river on the bor-
der, there will be trouble. If we forget about the
river, there will be no way out. There is already a
sky over that country, waiting for clouds or smoke.
Birds have flown into it, too. Each evening more
trees fill with their eyes, and what they see we can
never erase.

One day it was snowing heavily, and again we were
lying in bed, watching our country: we could
make out the wide river for the first time, blue and
moving. We seemed to be getting closer; we saw
our wheel tracks leading into it and curving out
of sight behind us. It looked like the land we had
left, some smoke in the distance, but I wasn’t sure.
There were birds calling. The creaking of our
wheels. And as we entered that country, it felt as if
someone was touching our bare shoulders, lightly,
for the last time.

conversation :: ai ogawa

We smile at each other
and I lean back against the wicker couch.
How does it feel to be dead? I say.
You touch my knees with your blue fingers.
And when you open your mouth,
a ball of yellow light falls to the floor
and burns a hole through it.
Don’t tell me, I say. I don’t want to hear.
Did you ever, you start,
wear a certain kind of dress
and just by accident,
so inconsequential you barely notice it,
your fingers graze that dress
and you hear the sound of a knife cutting paper,
you see it too
and you realize how that image
is simply the extension of another image,
that your own life
is a chain of words
that one day will snap.
Words, you say, young girls in a circle, holding hands,
and beginning to rise heavenward
in their confirmation dresses,
like white helium balloons,
the wreathes of flowers on their heads spinning,
and above all that,
that’s where I’m floating,
and that’s what it’s like
only ten times clearer,
ten times more horrible.
Could anyone alive survive it?

Courtesy of MEM

ikebana :: cathy song

To prepare the body,
aim for the translucent perfection
you find in the sliced shavings
of a pickled turnip.
In order for this to happen,
you must avoid the sun,
protect the face
under a paper parasol
until it is bruised white
like the skin of lilies.
Use white soap
from a blue porcelain
dish for this.

Restrict yourself.
Eat the whites of things:
tender bamboo shoots,
the veins of the young iris,
the clouded eye of a fish.

Then wrap the body,
as if it were a perfumed gift,
in pieces of silk
held together with invisible threads
like a kite, weighing no more
than a handful of crushed chrysanthemums.
Light enough to float in the wind.
You want the effect
of koi moving through water.

When the light leaves
the room, twist lilacs
into the lacquered hair
piled high like a complicated shrine.
There should be tiny bells
inserted somewhere
in the web of hair
to imitate crickets
singing in a hidden grove.

Reveal the nape of the neck,
your beauty spot.
Hold the arrangement.
If your spine slacks
and you feel faint,
remember the hand-picked flower
set in the front alcove,
which, just this morning,
you so skillfully wired into place.
How poised it is!
Petal and leaf
curving like a fan,
the stem snipped and wedged
into the metal base—
to appear like a spontaneous accident.

faith :: frances anne kemble

Better trust all, and be deceived,
    And weep that trust, and that deceiving;
Than doubt one heart, that, if believed,
    Had blessed one’s life with true believing.

Oh, in this mocking world, too fast
    The doubting fiend o’ertakes our youth!
Better be cheated to the last,
    Than lose the blessèd hope of truth.