lunch and afterwards :: dannie abse

Lunch with a pathologist

My colleague knows by heart eh morbid verse
of facts—the dead weight of a man’s liver,
a woman’s lungs, a baby’s kidneys.

At lunch he recited unforgettably,
“After death, of all soft tissues the brain’s
the first to vanish, the uterus the last.”

“Yes,” I said, “at dawn I’ve seen silhouettes
hunched in a field against the skyline, each one
feasting, preoccupied, silent as gas.

Partial to women, they’ve stripped women bare
and left behind only the taboo food,
the uterus, inside the skeleton.”

My colleague wiped his mouth with a napkin,
hummed, picked shredded meat from his canines,
said, “You’re a peculiar fellow, Abse.”

cityscape 1 :: pablo medina

Let the aroma of need
waft across the river to New Jersey:

all the snow and hills,
a sky that moves and moves.

I saw a rose in the clouds,
I saw happiness on fire.

I have been living :: jane mead

I have been living
closer to the ocean than I thought–
in a rocky cove thick with seaweed.

It pulls me down when I go wading.
Sometimes, to get back to land
takes everything that I have in me.

Sometimes, to get back to land
is the worst thing a person can do.
Meanwhile, we are dreaming:

The body is innocent.
She has never hurt me.
What we love flutters in us.

what can we do? :: charles bukowski

what can we do?
at their best, there is gentleness in Humanity.
some understanding and, at times, acts of
but all in all it is a mass, a glob that doesn’t
have too much.
it is like a large animal deep in sleep and
almost nothing can awaken it.
when activated it’s best at brutality,
selfishness, unjust judgments, murder.

what can we do with it, this Humanity?


avoid the thing as much as possible.
treat it as you would anything poisonous, vicious
and mindless.
but be careful. it has enacted laws to protect
itself from you.
it can kill you without cause.
and to escape it you must be subtle.
few escape.

it’s up to you to figure a plan.

I have met nobody who has escaped.

I have met some of the great and
famous but they have not escaped
for they are only great and famous within

I have not escaped
but I have not failed in trying again and

before my death I hope to obtain my

floater :: debra nystrom

—to Dan

Maddening shadow across your line of vision—
what might be there, then isn’t, making it

hard to be on the lookout, concentrate, even
hear—well, enough of the story I’ve

given you, at least—you’ve had your fill, never
asked for this, though you were the one

to put a hand out, catch hold, not about to let me
vanish the way of the two you lost already

to grief’s lure. I’m here; close your eyes,
listen to our daughter practicing, going over and over

the Bach, getting the mordents right, to make the lovely
Invention definite. What does mordent mean,

her piano teacher asked—I was waiting in the kitchen
and overheard—I don’t know, something about dying?

No; morire means to die, mordere means to take
a bite out of something—good mistake
, she said.

Not to die, to take a bite—what you asked
of me—and then pleasure

in the taking. Close your eyes now,
listen. No one is leaving.

violence enters a poem like a restless wind inside a burning house :: rohan chhetri

Somewhere near the borders to a warless country
stands the house my grandfather built.
Tired by the day’s work, my mother
has already fallen asleep in front of the television.
My father is noiselessly setting up
the mosquito net above the bed.
During the day, the town rife with revolution,
dreams of a new state.
They have licked the salt of freedom
and cannot unlearn the taste.

Someone I used to know gets shot
an inch above the ear in a crossfire.
My mother imitates that foreign tenor people acquire
while breaking news of unfortunate deaths.
His blood is washed off the streets in the winter rain
and drained in the sewage that shares
the common filth of the two nations.

Tomorrow my father will cross the border again
to go work for a bad-tempered man.
He’s had it, mother tells me over the phone.
They need to get out of there, I think, but never say it.

The paranoia changes hands
as spring comes on early, and I read in the papers
a nation is sending the refugees back
to the country they fled from.
On their way, they stop on the trails
to look for the frostbitten fingers
they lost in the difficult winter of their lives.

social skills training :: solmaz sharif

Studies suggest How may I help you officer? is the single most disarming thing to say and not What’s the problem? Studies suggest it’s best the help reply My pleasure and not No problem. Studies suggest it’s best not to mention problem in front of power even to say there is none. Gloria Steinem says women lose power as they age and yet the loudest voice in my head is my mother. Studies show the mother we have in mind isn’t the mother that exists. Mine says: What the fuck are you crying for? Studies show the baby monkey will pick the fake monkey with fake fur over the furless wire monkey with milk, without contest. Studies show to negate something is to think it anyway. I’m not sad. I’m not sad. Studies recommend regular expressions of gratitude and internal check-ins. Enough, the wire mother says. History is a kind of study. History says we forgave the executioner. Before we mopped the blood we asked: Lord Judge, have I executed well? Studies suggest yes. What the fuck are you crying for, officer? the wire mother teaches me to say, while studies suggest Solmaz, have you thanked your executioner today?