for the Geechee Gullah Ring Shouters
One of the women greeted me.
I love you, she said. She didn’t
Know me, but I believed her,
And a terrible new ache
Rolled over in my chest,
Like in a room where the drapes
Have been swept back. I love you,
I love you, as she continued
Down the hall past other strangers,
Each feeling pierced suddenly
By pillars of heavy light.
I love you, throughout
The performance, in every
Handclap, every stomp.
I love you in the rusted iron
Chains someone was made
To drag until love let them be
Unclasped and left empty
In the center of the ring.
I love you in the water
Where they pretended to wade,
Singing that old blood-deep song
That dragged us to those banks
And cast us in. I love you,
The angles of it scraping at
Each throat, shouldering past
The swirling dust motes
In those beams of light
That whatever we now knew
We could let ourselves feel, knew
To climb. O Woods—O Dogs—
O Tree—O Gun—O Girl, run—
O Miraculous Many Gone—
O Lord—O Lord—O Lord—
Is this love the trouble you promised?
He will surely take it out when you’re alone
And let it dangle between you like a locket on a chain.
Like any world, it will flicker with lights that mean dwellings,
Traffic, a constellation of need. Tiny clouds will drag shadows
Across the plane. He’ll grin watching you squint, deciphering
Rivers, borders, bridges arcing up from rock. He’ll recite
Its history. How one empire swallowed another. How one
Civilization lasted 3,000 years with no word for eternity.
He’ll guide your hand through the layers of atmosphere,
Teach you to tamper with the weather. Swinging it
Gently back and forth, he’ll swear he’s never shown it
To anyone else before.
The voice is clean. Has heft. Like stones
Dropped in still water, or tossed
One after the other at a low wall.
Chipping away at what pushes back.
Not always making a dent, but keeping at it.
And the silence around it is a door
Punched through with light. A garment
That attests to breasts, the privacy
Between thighs. The body is what we lean toward,
Tensing as it darts, dancing away.
But it’s the voice that enters us. Even
Saying nothing. Even saying nothing
Over and over absently to itself.
Check out the newly appointed U.S. poet laureate!
There will be no edges, but curves.
Clean lines pointing only forward.
History, with its hard spine & dog-eared
Corners, will be replaced with nuance,
Just like the dinosaurs gave way
To mounds and mounds of ice.
Women will still be women, but
The distinction will be empty. Sex,
Having outlived every threat, will gratify
Only the mind, which is where it will exist.
For kicks, we’ll dance for ourselves
Before mirrors studded with golden bulbs.
The oldest among us will recognize that glow—
But the word sun will have been re-assigned
To a Standard Uranium-Neutralizing device
Found in households and nursing homes.
And yes, we’ll live to be much older, thanks
To popular consensus. Weightless, unhinged,
Eons from even our own moon, we’ll drift
In the haze of space, which will be, once
And for all, scrutable and safe.
But sometimes I forget where I am,
Imagine myself inside that life again.
Recalcitrant mornings. Sun perhaps,
Or more likely colorless light
Filtering its way through shapeless cloud.
And when I begin to believe I haven’t left,
The rest comes back. Our couch. My smoke
Climbing the walls while the hours fall.
Straining against the noise of traffic, music,
Anything alive, to catch your key in the door.
And that scamper of feeling in my chest,
As if the day, the night, wherever it is
I am by then, has been only a whir
Of something other than waiting.
We hear so much about what love feels like.
Right now, today, with the rain outside,
And leaves that want as much as I do to believe
In May, in seasons that come when called,
It’s impossible not to want
To walk into the next room and let you
Run your hands down the sides of my legs,
Knowing perfectly well what they know.
When some people talk about money
They speak as if it were a mysterious lover
Who went out to buy milk and never
Came back, and it makes me nostalgic
For the years I lived on coffee and bread,
Hungry all the time, walking to work on payday
Like a woman journeying for water
From a village without a well, then living
One or two nights like everyone else
On roast chicken and red wine.
Courtesy of New York subways’ Poetry in Motion
5pm on the nose. They open their mouths
And it rolls out: high, shrill and metallic.
First the boy, then his sister. Occasionally,
They both let loose at once, and I think
Of putting on my shoes to go up and see
Whether it is merely an experiment
Their parents have been conducting
Upon the good crystal, which must surely
Lie shattered to dust on the floor.
Maybe the mother is still proud
Of the four pink lungs she nursed
To such might. Perhaps, if they hit
The magic decibel, the whole building
Will lift-off, and we’ll ride to glory
Like Elijah. If this is it—if this is what
Their cries are cocked toward—let the sky
Pass from blue, to red, to molten gold,
To black. Let the heaven we inherit approach.
Whether it is our dead in Old Testament robes,
Or a door opening onto the roiling infinity of space.
Whether it will bend down to greet us like a father,
Or swallow us like a furnace. I’m ready
To meet what refuses to let us keep anything
For long. What teases us with blessings,
Bends us with grief. Wizard, thief, the great
Wind rushing to knock our mirrors to the floor,
To sweep our short lives clean. How mean
Our racket seems beside it. My stereo on shuffle.
The neighbor chopping onions through a wall.
All of it just a hiccough against what may never
Come for us. And the kids upstairs still at it,
Screaming like the Dawn of Man, as if something
They have no name for has begun to insist
Upon being born.