Once there was a man who filmed his vacation.
He went flying down the river in his boat
with his video camera to his eye, making
a moving picture of the moving river
upon which his sleek boat moved swiftly
toward the end of his vacation. He showed
his vacation to his camera, which pictured it,
preserving it forever: the river, the trees,
the sky, the light, the bow of his rushing boat
behind which he stood with his camera
preserving his vacation even as he was having it
so that after he had had it he would still
have it. It would be there. With a flick
of a switch, there it would be. But he
would not be in it. He would never be in it.
Like a city, lighted,
the body resists the dark.
Its studies and complaints
burn like windows, the mind
watching in the distance.
But the weight of the body
pulls it down,
an irresistible darkening.
One by one its lights
go out, an itch somewhere
igniting and dwindling
like a flare, the windows
each suddenly blacking out
—each like a bat wakes
to the night, turns loose
and flies outward and high,
black into black.
And finally the mind too,
released from the last
of its beacons, goes.
It may be that when we no longer know what to do
we have come to our real work,
and that when we no longer know which way to go
we have come to our real journey.
The mind that is not baffled is not employed.
The impeded stream is the one that sings.
For God’s sake, be done
with this jabber of “a better world.”
What blasphemy! No “futuristic”
twit or child thereof ever
in embodied light will see
a better world than this, though they
foretell inevitably a worse.
Do something! Go cut the weeds
beside the oblivious road. Pick up
the cans and bottles, old tires,
and dead predictions. No future
can be stuffed into this presence
except by being dead. The day is
clear and bright, and overhead
the sun not yet half finished
with his daily praise.
In the essential prose
of things, the apple tree
stands up, emphatic
among the accidents
of the afternoon, solvent,
not to be denied.
The grass has been cut
to leave the orange
poppies still in bloom;
the tree stands up
in the odor of the grass
drying. The forked
trunk and branches are
also a kind of necessary
prose—shingled with leaves,
pigment and song
imposed on the blunt
ligaments of fact, a foliage
of small birds among them.
The tree lifts itself up
in the garden, the
clutter of its green
leaves halving the light,
stating the unalterable
congruity and form
of its casual growth;
the crimson finches appear
and disappear, singing
among the design.
I have taken in the light
that quickened eye and leaf.
May my brain be bright with praise
of what I eat, in the brief blaze
of motion and of thought.
May I be worthy of my meat.
In the place that is my own place, whose earth
I am shaped in and must bear, there is an old tree growing,
a great sycamore that is a wondrous healer of itself.
Fences have been tied to it, nails driven into it,
hacks and whittles cut in it, the lightning has burned it.
There is no year it has flourished in
that has not harmed it. There is a hollow in it
that is its death, though its living brims whitely
at the lip of the darkness and flows outward.
Over all its scars has come the seamless white
of the bark. It bears the gnarls of its history
healed over. It has risen to a strange perfection
in the warp and bending of its long growth.
It has gathered all accidents into its purpose.
It has become the intention and radiance of its dark fate.
It is a fact, sublime, mystical and unassailable.
In all the country there is no other like it.
I recognize in it a principle, an indwelling
the same as itself, and greater, that I would be ruled by.
I see that it stands in its place and feeds upon it,
and is fed upon, and is native, and maker.
for Gurney Norman, quoting him
The woods is shining this morning.
Red, gold and green, the leaves
lie on the ground, or fall,
or hang full of light in the air still.
Perfect in its rise and in its fall, it takes
the place it has been coming to forever.
It has not hastened here, or lagged.
See how surely it has sought itself,
its roots passing lordly through the earth.
See how without confusion it is
all that it is, and how flawless
its grace is. Running or walking, the way
is the same. Be still. Be still.
“He moves your bones, and the way is clear.”
A spring wind blowing
the smell of the ground
through the intersections of traffic,
the mind turns, seeks a new
simpler, less weighted
by what has already been.
it’s enough to grieve me—
that old dream of going,
of becoming a better man
just by getting up and going
to a better place.
The mystery. The old
The iron trees in the park
suddenly remember forests.
It becomes possible to think of going
—a place where thought
can take its shape
as quietly in the mind
as water in a pitcher,
or a man can be
safely without thought
—see the day begin
and lean back,
a simple wakefulness filling
the spaces among the leaves.
When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.
(to remind myself)
Make a place to sit down.
Sit down. Be quiet.
You must depend upon
affection, reading, knowledge,
skill−more of each
than you have−inspiration,
work, growing older, patience,
for patience joins time
to eternity. Any readers
who like your poems,
doubt their judgment.
Breathe with unconditioned breath
the unconditioned air.
Shun electric wire.
Communicate slowly. Live
a three-dimensioned life;
stay away from screens.
Stay away from anything
that obscures the place it is in.
There are no unsacred places;
there are only sacred places
and desecrated places.
Accept what comes from silence.
Makes the best you can of it.
Of the little words that come
out of silence, like prayers
prayed back to the one who prays,
make a poem that does not disturb
the silence from which it came.
Courtesy of E.S.